Product Description
Connect XLR microphones to an α camera and capture high-quality audio within the Sony ecosystem, with 96 kHz/32-bit float recording that handles everything from whispers to sudden loud sounds while reducing the need for gain adjustments and maximizing post-production flexibility.
96 kHz sampling for detailed audio
Ambient textures and subtle vocal nuances are captured at up to 96 kHz sampling rate*1 for detailed recordings that maximize the performance of professional microphones. With a Hi-Res Audio-compatible microphone*2, frequencies beyond 20 kHz can also be captured, expanding post-production flexibility and adding depth and realism to your work.
32bit float for flexible post-production
32bit float recording on compatible cameras*1 provides wide dynamic range and greatly reduced risk of clipping when levels are adjusted during editing.
This makes post-production workflows more flexible and reduces the need for precise gain adjustments during recording*3.
Dual ADCs for wide dynamic range
To maximize the performance of high-quality microphones, dual ADCs*4, combining two analog-digital converters (ADCs) operating at different gain levels, are employed, faithfully reproducing a wide dynamic range from extremely quiet to loud input sounds.
With the dual ADC-equipped XLR Adaptor, the captured audio is converted into 32bit float digital data, preserving the full dynamic range and enabling greater flexibility in post-production without precise gain adjustments during recording.
4-channel audio input
Supports 4-channel audio input*5, allowing simultaneous multi-microphone recording to independent tracks for flexible editing. Safety channels with different gain settings and flexible input assignment to CH1–CH4 provide greater confidence and creative control.
Convenience of Sony's ecosystem
Simply attach the XLR Adaptor to the Multi Interface (MI) Shoe™ of a compatible camera*5to enable cable- and battery-free power and audio connections. Support for Hi-Res Audio microphones and 96 kHz/32bit float recording delivers high-quality, edit-resilient sound with independent 32bit float WAV recording.
Intuitive operation
A high-visibility layout improves operability, with OL (overload) lamps on each input for instant level monitoring. LOW CUT and ATT (attenuator) switches and manual gain dials are grouped on one side, enabling flexible and intuitive setup for each output channel.
Shoe Audio Extension Cable (supplied)
The supplied Shoe Audio Extension Cable provides flexible mounting options. Even when used with a rig, it enables adaptable installation to achieve an optimal layout for different shooting environments.
High durability for professional use
A low-profile, reinforced design ensures high durability for on-location use, while a low center of gravity reduces stress on the Multi Interface (MI) Shoe. When used with the supplied Shoe Audio Extension Cable Reinforcement Attachment, stable and reliable mounting is maintained even during extended operation.
Support for USB audio output
The built-in USB Type-C® port*7 connects directly to a PC for camera-free applications such as studio recording and audio podcasting.
The supplied Mini-stand provides stability and flexibility.
Supplied accessories
The XLR Adaptor*7comes with a set of useful accessories including
[1] Case, [2] Mini-stand, [3] Shoe Audio Extension Cable Reinforcement Attachment along with [4] Shoe Audio Extension Cable itself, and two [5] Connector protect cap.
Environmentally conscious
Sony's environmental plan “Road to Zero” *8aims for a zero environmental footprint by 2050. The XLR Adaptor uses recycled plastic materials, constituting more than 22%*9 of the main unit's plastic weight, including our durable SORPLAS™ material. We are also transitioning to non-plastic packaging materials*10.
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FOOTNOTES |
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1 |
See Sony’s support web page at https://www.sony.net/dics/xlra4/ for camera compatibility information |
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2 |
You can enjoy High-Resolution Audio quality when using a camera that supports 96 kHz audio sampling. |
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3 |
Audio that is physically clipped at the microphone input stage cannot be |
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4 |
Dual ADCs are enabled when the unit is connected to a camera that supports 96 kHz/32bit float, or when used as a USB audio interface. |
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5 |
The camera body must support a Multi Interface (MI) Shoe with digital audio interface capability. |
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6 |
When connected to a personal computer via a USB Type-C cable, operation supports up to 96 kHz sampling rate/24bit, 2-channel input. |
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7 |
A microphone is not included with the XLR Adaptor. See Sony’s support web page at https://www.sony.net/dics/mic_cmpt/ for microphone compatibility information. |
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8 |
For details of Sony’s environmental activities, please see: https://www.sony.co.jp/en/corporate/sustainability/environment/. |
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9 |
This ratio is based on the plastic weight of the main unit (excluding the supplied accessories) and is calculated as the weight of recycled plastics divided by the total weight of plastic parts. |
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10 |
Materials used in coatings and adhesives are not included. |